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京都景観の「全体図」と「全体像」について ― 環境デザインの立場から ―
https://osu.repo.nii.ac.jp/records/2096
https://osu.repo.nii.ac.jp/records/2096adbf22a7-dbe5-4113-a4f9-3d80bd504621
名前 / ファイル | ライセンス | アクション |
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031-075 (7.9 MB)
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2018-09-20 | |||||
タイトル | ||||||
タイトル | 京都景観の「全体図」と「全体像」について ― 環境デザインの立場から ― | |||||
タイトル | ||||||
言語 | en | |||||
タイトル | On the“ Whole Picture” and“ Whole Image” of a Kyoto Landscape: From a Perspective of Environmental Design | |||||
言語 | ||||||
言語 | jpn | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 京都 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 蓬莱山 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 景観の環境 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 景観全体 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 景観全体図 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 景観全体像 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 景観の白色化 | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | Kyoto | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | Mt. Hourai | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | environment and landscape | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | whole landscape | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | whole landscape picture | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | whole landscape image | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | tabula rasa of landscape | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | departmental bulletin paper | |||||
著者 |
谷口, 興紀
× 谷口, 興紀× TANIGUCHI, Okinori |
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抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | Often discourse on landscape proceeds without reference to its background, namely the environment including things in their landscape. If the spatiotemporal boundary of the environment is made explicit it is referred to as“ the whole landscape picture.” In the case of Kyoto, its landscape picture would include descriptions accompanying the “picture” with which a viewer can convey to an“ other,” because it exists exterior to the“ viewer.” A rigorous reflection on the term“ whole” necessarily poses the question as to whether a speaker, as the viewer, is included in the whole landscape. A viewer must look at a landscape “in” the landscape itself. The whole landscape picture then arises from within the viewer as a“ landscape image” of Kyoto city, for example. In this case, it is logical to claim that the viewer cannot convey it to an “other,” because the viewer tries to do so while the image is an internal entity. A set of landscape elements is not the sum whole of the landscape. If in turn these are pictured, however, then the elements are given relationships with one another or “relatedness” among a corpus of elements. This action has the effect of transforming the set into an ensemble, which results in more than the sum of the elements, giving each particular element its locus in the picture. This paper attempts to illustrate this reflective thought process by using described and visual landscape elements of Kyoto. |
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書誌情報 |
大阪産業大学論集 自然科学編 en : JOURNAL OF OSAKA SANGYO UNIVERSITY ACADEMIC SOCIETY OF OSAKA SANGYO UNIVERSITY Natural Sciences 号 129, p. 31-75, 発行日 2018-06-30 |